daughters of the evening

In this emotive and evocative oil sketch, André Romijn offers a poetic meditation on human connection, weariness, and quiet solidarity. Four women, draped in soft, flowing garments of pastel and earth tones, lean gently against one another—forming a tender chain of support and surrender. The loose brushwork and matte textures give the painting a dreamlike, almost fresco-like quality, as though we are witnessing a memory or myth caught in time.

The figures seem to float in their own intimate world, detached from linear narrative yet bound together by pose, color, and mood. Their closed eyes and tilted heads evoke rest, grief, or contemplation—perhaps all at once. The stylized simplicity of their forms contrasts with the emotional weight they carry, inviting viewers to fill in the story themselves.

The background, a textured wash of blue and violet-grey, functions almost like a theatrical backdrop—suggesting interiority or faded grandeur, while the rough floor hints at instability beneath stillness. There’s an intentional rawness to the work: the unfinished quality of limbs and drapery creates movement and spontaneity, underscoring that this is a study not only in composition, but in emotional resonance.

Romijn’s sketch speaks to themes of sisterhood, resilience, and shared introspection. The figures do not pose for the viewer; they rest in a collective state of being—quiet, interconnected, and suspended between vulnerability and strength.