pastel underdrawing by André Romijn

This pastel underdrawing by André Romijn reveals a fascinating study in preparation and experimentation. The use of green as the foundational tone for the figure is both unconventional and strategic, lending the work an almost otherworldly quality in this phase. Green, often used in classical techniques to create an undertone for flesh, will undoubtedly enhance the warmth and realism of the subsequent layers of flesh tones. It already hints at a sense of translucency and depth that will make the figure come alive.

The interplay of warm and cool tones is particularly striking. The vibrant green contrasts with the hints of warm orange in the foreground and the cooler blues in the background, creating a dynamic tension. These elements suggest that Romijn is not only considering the figure itself but also its interaction with the surrounding space and colors.

The colour swatches in the background add a layer of curiosity and intent, as the artist seems to be testing and exploring the optimal shades to harmonize with the warm tones of the figure. This meticulous approach hints at a finished work that will balance naturalism with artistic experimentation.

The pose of the figure, with its relaxed yet elegant posture, further complements the exploratory nature of this piece. The subtle use of shadows and the deliberate highlighting of structural elements such as the collarbone and the musculature of the arm indicate a strong understanding of anatomy and form, even at this early stage.

Romijn’s underdrawing captures not only the potential energy of the final work but also the thoughtfulness of the process. It invites the viewer to consider not just the end result but the layered decisions and experimentation that lead to the creation of a compelling artwork.